World Building – Landscapes

Can a novel be inspired by landscapes? Usually, a story is derived from either plot or character. Locations mostly come into play when the story is specifically about them. Climbing Mount Everest or the siege of the Alamo, to name just a few, have specific locales as their driving force.

If you look at the picture below, can’t you just taste and smell and see the possibilities for a story? Who are the people who live there? What is a day like in this world? How deep do those buildings go into the ground? How did those cracks appear?

In my early twenties, I was introduced to a German painter named Hans Werner Sahm (if you google his name and click on “Images,” you can see most of his paintings.) His landscapes spoke to me on a very deep and personal level. It was as if the scenes stirred some ancient memory within me.

When I started my first novel, a fable called The Three Feathers, I had not thought about the paintings for a few years. But the subconscious is a fascinating thing and when I began drawing a map of the world that opened up before me, the images came back. Thanks to the internet, I suddenly had all of them at my fingertips.

From that point on, roughly around chapter 6 in the book, the plot was mostly motivated by the landscapes in the paintings. And because they somehow stir up stuff from the subconscious, the story that appeared also felt as if it rose from deep down somewhere. I was soon swept away in it.

Take the above image, for example. It became the inspiration for the Porte Des Lioness, an ancient gate into the mountain, the heroes had to find. From that scene a character appeared. His name is Broga, he’s a peeper frog who, despite his size, was the mighty guardian of the gate – the only one who could open it. This is a major plot point in the story and one that, without that image, would not have been there.

Once inside the mountain, another image served as the foundation for a good third of the story all the way to its fantastical climax: An ancient abandoned mining town deep underground. The light source never changed; the pillars were, as the legend states, carved by dragons.

I believe that for every writer there are triggers fueling the stories from a well beyond the rational mind. We all have different means to fuel our imagination. Landscapes is just one of them.  For me images like this one open the door to those hidden chambers inside – the ones where the stories come from.

 

Cheers,

Stefan

 

The Three FeathersThis is the story of an extraordinary journey. Three unlikely friends – a wolf, a rooster and a war horse – on a quest to search for three feathers deep inside a mountain. Their friendship is their only hope of survival. Their courage faces dangers beyond their wildest dreams. And the fate of a whole civilization rests on their shoulders. If you are up for an adventure that is out of the ordinary, that will make you pause and think and maybe even discover something about yourself, you might want to give it a try.

JANE ERIKSON: “Bolz’s writing belongs in the rare, ethereal air of The Greats; including Tolkien, C.S. Lewis and Hesse. Read this powerful journey of true and brave friends who communicate through thoughts, then just wait and see… It will profoundly influence your life in a deeply moving, positive and personal way. Bolz’s imagination is limitless; his symbolism and imagery – impeccable! The Three Feathers is amazing and awe-inspiring… an outstanding and captivating read! Bolz’s future is bright!”

 

About Stefan Bolz

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